Monday, January 6, 2020

Analysis Of The Movie The Clansman - 1720 Words

The media often paints a picture of certain groups that may not be accurate for example, African Americans in the media are portrayed as criminals, drug addicts, or misogynist which also includes African American women are viewed as abrasive and promiscuous. While there are millions of responsible and respectable African Americans. They are not celebrated in the media. What the community sees are instead are thing in movies and on TV. This changes the general perception of African Americans and cause people to assume they are violent and are a burdened to society. During the pinnacle of segregation through the 1900s, African Americans were rarely portrayed on screen and when they were portrayed in satirical ways, it was with white actors in blackface. This is a great example of the misrepresentation of an entire community by those in power. In February 1915, a movie was released called birth of a nation which was based on Thomas Dixon Jr. novel the clansman. The film depicts the Ku K lux Klan as heroes and the villains were portrayed by white actors in black face. The film was basically trying to justify racism and imply that the white hooded, figures where protecting the white race because African males were trying to sexually ravage the white women this portrayal of African American male was known as a bucks. Despite the very clear prejudice in the film it was a major success and was the first ever major motion picture shown in the White House toShow MoreRelatedHow Birth Of A Nation Reinforced Antebellum Stereotypes About African Americans1564 Words   |  7 PagesHow Birth of a Nation reinforced Antebellum Stereotypes about African-Americans In the early 1900s, the movie industry in America developed the atmosphere filled with racial and political medium, which later became a propaganda tool for selling of brute caricature. Many will recognize the films titled Birth of a Nation by D.W. Griffith, which was very historical since its technological innovation embraced or portrayed all the anti-Black caricatures, and other brutes. Sing Griffin was a Kentuckian

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